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Texas Music Adjudicators Association



Lili Kraus: Hungarian Pianist, Texas Teacher, and Personality Extraordinaire by Steven Henry Roberson,

Lili Kraus: Hungarian Pianist, Texas Teacher, and Personality Extraordinaire by Steven Henry Roberson,
A talented pianist and a woman of great vitality and charm, Lili Kraus was one of the most extraordinary musicians of the twentieth century. Born into extreme poverty in Budapest, she showed such musical talent that by the age of seven she was admitted to the Royal Academy of Music as a piano major. Eventually she studied with Bartok and Schnabel, the great apostle of the Viennese classicists, and became one of the leading interpreters of the Mozart piano repertoire. Her long and distinguished performing career included appearances with the world's major orchestras and more than one hundred recordings. Kraus' life was as fascinating as her music. As Nazism hovered over Germany, she and her husband, Otto Mandl, converted from Judaism to Catholicism and finally fled to the Dutch East Indies where they and their two children were interned by the Japanese in separate prisoner-of-war camps. Kraus turned that grim and bitter experience into an opportunity for personal and professional reflection and growth. Charmingly charismatic, brilliant and beautiful, she spoke seven languages, designed her own gowns, and was on intimate terms with the rich and famous of the musical and political scenes of two continents. An intriguing world figure, she became an American by association when she moved to Texas to accept a position with TCU in Fort Worth. In her later years, she divided her time between Texas and her home in North Carolina. This, the first full biography of the late Madame Kraus, is based on extensive interviews with Kraus, her associates throughout Europe and the United States, and her family. Roberson collected hundreds of recital and concert reviews, published or broadcastinterviews with the diva, and a number of articles written by Kraus. The manuscript includes an exhaustive discography and an extensive bibliography. The general reader will find here a portrait of an intriguing world figure.



Philip Johnson & Texas by Frank D. Welch,
Philip Johnson & Texas by Frank D. Welch,
Celebrated, controversial, and recipient of his profession's highest honors, "Philip Johnson is unarguably the most influential and best-known American architect working at the close of this century", in the opinion of Frank Welch. For six decades he has been a leading advocate and practitioner of European-inspired modernist architecture, patron of the Museum of Modern Art, and habitue of elite East Coast artistic, cultural, and social circles. Yet his most distinguished large buildings are all in Texas. In this book, Frank Welch draws on interviews with Johnson, his professional colleagues, and the patrons who commissioned his buildings to discover why Johnson has done his best work in the Lone Star State. He opens with an overview of Johnson's formative years as an architect, leading up to his pivotal meeting with Dominique and John de Menil, who chose him to build their house in Houston in the late 1940s. Welch fully chronicles Johnson's long association with the de Menils and other wealthy Texans and the many commissions this produced, including the University of St. Thomas and Pennzoil Place in Houston, the Kennedy Memorial, Thanks-Giving Square, and the Cathedral of Hope in Dallas, the Amon Carter Museum and the Water Garden in Fort Worth, and the Art Museum of South Texas in Corpus Christi, as well as the numerous skyscrapers Johnson designed for Houston developer Gerald Hines, and several private residences. This history of Johnson's work in Texas reveals how the architect's bold, outspoken personality attracted Texas clients and how their referrals in turn shaped his career. It also demonstrates how Johnson's advocacy of architecture-as-art has affected the social andcultural climate of Texas cities. Perhaps most of all, it records Johnson's ongoing love affair with the state that has made him its favorite "out-of-town" architect.



The National Association for Music Education - MENC: The National Association for Music Education, also referred to as the National Music Educators Association and formerly called Music Educators' National Conference, is an organization based out of Reston, Virginia which is focused on the advancement of music education, both as a profession and the assurance of music education as part of the core curriculum across the United States.

Music Teachers National Association - Founded in 1876 by Theodore Presser and sixty-two colleagues in Delaware, Ohio, the mission of Music Teachers National Association is to advance the value of music study and music making to society and to support the professionalism of music teachers. Its membership consists of approximately 24,000 independent and collegiate music teachers.

Arizona Music Educators Association - The Arizona Music Educators Association (AMEA), as its name implies, is a membership-based association for music instructors in Arizona, particularly in public schools. It is a state-level unit of the Music Educators National Conference.

Texas Country Music Hall of Fame - The Texas Country Music Hall of Fame, located in Carthage, Texas in Panola County, honors those who have made outstanding contributions to country music and were born in the state of Texas. This includes singers, songwriters, disc jockeys and others.



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